1.Ts'ao Ts'ao's literary accomplishments lie primarily in his prose.
A:对
B:错
答案:错
2.The representative small seal calligraphy was the stone carving of Mount Tai written by Li Yangbin in the Qin Dynasty.
A:错
B:对
答案:错
3.The title of Tang Taizong’s reign is Zhenguan.
A:错
B:对
答案:对
4.On Duanwu , girls will throw a sewing needle into a bowl full of water on the night of Qixi as a test of embroidery skills.
A:错
B:对
答案:错
5.The regular script, also called "zheng" script or "zhen" script, derived itself from the Official Script. It developed in the Wei-Jin and the Southern and Northern Dynasties, and culminated in the Qing Dynasty.
A:对
B:错
答案:错
6. Palace of Eternal Life has won the acclaim in the past because of its structure and its song texts.
A:错
B:对
答案:对
7.Unlike Yuan and Ming novels , Qing novels are colorful and rich in daily language.
A:错
B:对
答案:错
8.There were many renowned musicians and singers, such as the musician official Shi Xiang in the Lu State, the musician official Shi Kuang in the Jin State.
A:对
B:错
答案:对
9.Traditionally, people set off the fireworks for celebration during the part Spring Festival holidays.
A:错
B:对
答案:错
10.Qi, Chu, Yan, Han, Zhao, Wei and Qin were known as the “Seven Overlords” in history.
A:错
B:对
答案:对
11.There is also the tradition of drinking “White Dews” rice wine, made of cereals such as sticky rice, sorghum.
A:对
B:错
A:对 B:错 13. Du Fu’s early poems established his singular place in the history of literature.
A:对 B:错 14.In general, The Book of Songs doesn’t have any conspicuous political and moral flavor.
A:错 B:对 15.The founding of Song Dynasty ended the disunification of the Southern and Northern Dynasties.
A:错 B:对 16.Xunzi's epistemology can be regarded as primitive materialist empiricism.
A:错 B:对 17.The oracle-bone scripts, which carry the earliest known examples of Chinese characters.
A:错 B:对 18.“Six Ministries” referred to the six branches of the Shangshu Department.
A:对 B:错 19.The Songs of the South broke free from the brief and plain format of four-character lines in the Book of the Songs.
A:对 B:错 20.Forests cover more than half of the scenic area and much of the area not covered is above the tree line.
A:对 B:错 21.According to Yan Yu, what does the secret of poetry composition lie in?
A:Confucian morality B:poetry's inspiration for human heart C:wondrous enlightenment D:its function in politics and education 22.In 690, Wu Zetian declared to change the Tang into the ______ Dynasty.
A:Xin B:Zhou C:Jin D:Shun 23.______’s poetry represents the “delicate and suggestive” style?
A:Qin Guan B:Zhang Xian C:Liu Yong D:Huangt Tingjian 24.The current cursive script, also known as the small cursive script, developed after the appearance of on the basis of the official cursive script.
A:the official script B:the seal script C:the regular script D:the running script 25.A total of ____ caves (including 492 containing artwork) have been identified.
A:753 B:735 C:635 D:653 26.Before Dragon Boat Festival arrives, what do parents usually do?
A:preparing gifts for their children. B:preparing candy for their children. C:preparing eggs for their children. D:preparing perfume pouches for their children. 27.The Kunlun Mountains are characterized by ____weather.
A:cold B:chilly C:warm D:freezing 28.The Qinghai-Tibet Plateau is an important natural pasture in China. The grass growing there is not all, but is full of nutrition, owing to the ___ sunshine and active photosynthesis.
A:poor B:shining C:rich D:bad 29.______ is the peerless example of combining history with literature.
A:The Great Records of History B:Record of Stone Bell Mountain C:Taiping Guangji D:The Records of Han 30.Artistically, A Dream of Red Mansions is most praiseworthy for ______.
A:Its beauty B:Its romaticism C:Its length D:its characterization 31.The championship and participation of further boosted the creation of flower- and- bird painting.
A:Emperor Tai B:Emperor Xuan C:Emperor Gao D:Emperor Huizong 32.Seen from afar, they are covered by a vast expanse of ___and by winding glaciers on the top.
A:water B:river C:snow D:glacier 33.The Temple of Heaven occupies an area of million square kilometers, larger than that of The Forbidden City.
A:4.72 B:1.72 C:3.72 D:2.72 34.______has gradually developed to maturity during the Han Dynasty, and became a basic poetic form of classical Chinese poetry later?
A:heptasyllabic poems B:tetrasyllabic poems C:sexasyllabic poems D:pentasyllabic poems 35.The pact between the Northern Song and the______ was later known as “the Pact of Chanyuan” in history.
A:Tubo B:Jin C:Liao D:Xixia 36. Ping Fu Rubbing is a rubbing of this calligraphical work of now preserved.
A:Suo Jing B:Lu Ji C:Zhangzhi D:Du Cao 37.Winter of The Sichuan Basin , it is mostly ___and foggy.
A:chilly B:cloudy C:hot D:warm 38._______creates the “style of the Spring and Autumn Annals.”
A:The Spring and Autumn Annals B:The Zuo Commentary C:The Intrigues of the Warring States D:The Anelects 39.What are the basic concepts of the Book of Changes?
A:Yin and Yang B:the Moon C:The sun D:Yi 40.Which type of Tang Chuanqi does An Account of the Departing Soul belong to ?
A:the chivalrous tales B:The historical tales C:Tales with social messages D:Tales of romantic love 41.The bronze wares found in the ruins of Yin fall mainly into _______
A:alcohol containers B:weapons C:music instruments D:cooking vessels 42.The Representatives who wrote the Song of the South are_______.
A:Song Yu B:Qu Yuan C:Jing Cuo D:Tang Le 43.In the localities Xingzhongshusheng was set up in Yuan Dynasty, under it there were_____
A:counties B:Fu C:Lu D:prefectures 44.How do Chinese people observe the custom of "bite the spring" on the day of "Lichun"?
A:eating fish B:eating carrots or C:eating meat D:eating spring pancakes and rolls 45.The Chinese painting is divided into three branches: ________.
A:the flower and bird painting B:the landscape painting C:album of paintings D:the figure painting 46.As Cao Xinquan recounted in his book Memoirs of Opera Performances in the Former Qing Palaces, the three biggest stages were situated in three palaces, namely ______.
A:Summer Palace B:Rehe Temporary Palace C:The Imperial Palace D:Tranquility-Longevity Palace 47.Which of the following rhapsody writers are from Weatern Han Dynasty?
A:Ban Gu B:Ban Gu Sima Xiangru C:Jia Yi D:Mei Sheng 48.Which two of the following poem were hailed as the best of Music Bureau poems?
A:Notes on the Buddhist Temples of Luoyang B:The Guide to Waterways with Commentary C:Poem of Mulan D:Southeast Fly the Peacocks 49.the central government composed of three chancellors and nine ministers. The three chancellors are________.
A:Yushi Dafu B:Taiwei C:Shangshu D:Chengxiang 50.The Northeast China Plain can be divided into three parts. They are______.
A:the Liaohe Plain B:Hetao plain C:the Songnen Plain D:the Sanjiang Plain 51.What are special features of Wang Wei’s poems?
A:His poetry often has a touch of Zen Buddhism. B:The reflection of life's loneliness is an important subject matter C:His "poetry incorporates paintings" D:His poems praise with enthusiasm the heroic spirit of soldiers on the front. 52. were made by wood and painted a rich vermillion color, symbolizing happiness and wealth.
A:windows B:doors C:The roof beams D:pillars 53.The central government of Yuan Dynasty consists of __________.
A:Shumiyuan B:Zhong-shusheng C:Yushitai D:Hanlinyuan 54.The Representatives of the Songs of the South are_______.
A:Song Yu B:Jing Cuo C:Tang Le D:Qu Yuan 55.Which of the following rhapsody writers is from Western Han Dynasty?
A:Ban Gu B:Sima Xiangru C:Mei Sheng D:Jia Yi 56.In Xi'an there are altogether ____ key cultural relics sites under protection, of which_____ belong to state or provincial level.
A:314 B:90 C:115 D:84 57.
What do people do On the Mid-autumn Day?
A:enjoying Fiery Dragon Dances B:appreciating the Bright Full Moon C:eating Moon Cakes D:reuniting with Your Family 58.
The characteristics of Mencius are ______.
A:free from crude expressions B:the focus on reasoning in a logical way C:its skillful use of figures of speech and fables D:a strong emotional coloring 59.
Su Shih (1037–1101) was heir to Liu Yong's innovations, but he took the genre in entirely new directions: he made the lyric a vehicle for personal expression, blurring the boundary between t'zu and shih, at least where theme and diction were concerned. From the time he began writing lyrics (in his early twenties), Su used them as farewell poems to friends and associates, a function formerly limited to shih poetry. He even once answered a request for a poem by sending a lyric instead. It is as if Su Shih made it his mission to upset genre distinctions. Perhaps he would smile smugly if he knew that there are ten compositions of his whose classification is so problematic that they have been included among both his shih and his tz'u.
When, as he does with 43 percent of his lyrics, Su Shih adds a preface to a lyric indicating the circumstances of its composition (as was common with other forms of poetry), he changes the way we read the lyric: even the more conventional songs become a direct statement of Su Shih's sentiment in response to a specific situation, and we are discouraged from reading them as the emotions of a generalized persona, as one would with earlier banquet lyrics. His best and most famous lyrics date from his period of exile (1080–1084) in Huang-chou (in modern-day Hupei province). By this time, as his letters and prefaces indicate, his musical know-how had advanced far beyond that of his earlier years. Moreover, Su Shih could express himself in the lyric with less anxiety than he could in prose or shih; the lyric was not considered a serious, public form of writing. Whereas Su Shih usually considered emotion an impediment to enlightenment and found ways of transcending his feelings, in the genre that was, above all, a genre of emotion he could be content simply to express his feelings and leave it at that. (This is not to say that he did not philosophize in his lyrics, of course:one can see his typical intellectual deconstruction of sorrow, for example, in the early lyric on the moon that he wrote to his brother.)
Ever since the early sixteenth century, Su Shih has been regarded as the epitome of the “bold and unfettered” (hao-fang) style and Ch'in Kuan as the leading example of the “delicate and suggestive” (wan-yueh) mode. This division is the framework within which most people read the lyric in China, although sometimes it is most interesting to look closely at the times when this bifurcation(分叉) breaks down. For example, one characteristic of Su Shih's lyrics that contributes to the impression of boldness and freedom is the loose way he plays with chronological time within a lyric, jumping backward and forward without warning.
Su Shih's view that good writing moves naturally and shapes itself to the particular situation certainly seems applicable to his lyrics.
60.
In the spring of 1974, when villagers were digging a well near Xiangyang, Shanxi Province, they came across unusual pottery fragments. Some resembled human figures, while others looked like animals. Word of the chance findings alerted archeologists, who soon uncovered on the site a huge army of terracotta warriors and horses, which had been interred with the remains of the First Emperor more than 2000 years ago.
Altogether, four pits housing thousands of terracotta warriors have been unearthed, numbered according to the time sequence of their discovery. Pit No.1, with an area of more than 14000 square meters, is the largest. It is home to an entire battle formation of life-size soldiers and horses. The front echelon consists of 210 soldiers standing in three rows, with the commander in the front. About 6000 soldiers make up the main body of the formation. They stand in 38 columns, some ad long as 180 meters. All of them sport suits of armor and hold bronze weapons. On wither side of the central echelon is a row of 180 soldiers, as flanks of the formation. At the back, more than 100 warriors stand, probably part of the rear guard. Among drawing a wooden war chariot.
As the most imposing of all the battle formations discovered so far, Pit No.1 is most likely a replica of the actual troops during the First Emperor’s lifetime. Pit No.2 and 3 were discovered in the summer of 1976.
Pit No.2 has four battle formations, including more than 1300 soldiers and horses, over 80 war chariots, and tens of thousands of bronze weapons. In the eastern section of the pit is a group of archers. At the front are 60 archers standing upright, followed by eight columns totaling 160 archers squatting on one leg and kneeling on the other. To their right is a formation of 64 war chariots arranged in eight rows.
In the middle of Pit No.2 is another chariot formation, consisting of 19 chariots, 264 infantrymen and eight horsemen. They are divide into three rows. At the front of each horse stands a soldier, with one hand holding the reins and the other in the pose of pulling a bow. Behind each chariot are three charioteers, followed by a number of foot soldiers.
Pit No.3 is located to the west of Pit No.1. In a 凹shape, it is the smallest of all the pits, with only 68 warriors inside. A war chariot was placed at the front of the entrance. The formation resembles the headquarters of the left, central and right divisions of the entire army, but it was probably not completed.
Pit No.4 was discovered much later, covering an area of about 5000 square meters. Located between Pits No.2 and 3, it appears to have been planned to house the central divisions, but was filled up without any warriors or horses.
61.What can we know from the underlined sentence in the first paragraph
62.What can we know from the underlined sentence in the first paragraph
63.From Paragraph 2, we can infer that
64.In the spring of 1974, when villagers were digging a well near Xiangyang, Shanxi Province, they came across unusual pottery fragments. Some resembled human figures, while others looked like animals. Word of the chance findings alerted archeologists, who soon uncovered on the site a huge army of terracotta warriors and horses, which had been interred with the remains of the First Emperor more than 2000 years ago. Altogether, four pits housing thousands of terracotta warriors have been unearthed, numbered according to the time sequence of their discovery. Pit No.1, with an area of more than 14000 square meters, is the largest. It is home to an entire battle formation of life-size soldiers and horses. The front echelon consists of 210 soldiers standing in three rows, with the commander in the front. About 6000 soldiers make up the main body of the formation. They stand in 38 columns, some ad long as 180 meters. All of them sport suits of armor and hold bronze weapons. On wither side of the central echelon is a row of 180 soldiers, as flanks of the formation. At the back, more than 100 warriors stand, probably part of the rear guard. Among drawing a wooden war chariot. As the most imposing of all the battle formations discovered so far, Pit No.1 is most likely a replica of the actual troops during the First Emperor’s lifetime. Pit No.2 and 3 were discovered in the summer of 1976. Pit No.2 has four battle formations, including more than 1300 soldiers and horses, over 80 war chariots, and tens of thousands of bronze weapons. In the eastern section of the pit is a group of archers. At the front are 60 archers standing upright, followed by eight columns totaling 160 archers squatting on one leg and kneeling on the other. To their right is a formation of 64 war chariots arranged in eight rows. In the middle of Pit No.2 is another chariot formation, consisting of 19 chariots, 264 infantrymen and eight horsemen. They are divide into three rows. At the front of each horse stands a soldier, with one hand holding the reins and the other in the pose of pulling a bow. Behind each chariot are three charioteers, followed by a number of foot soldiers. Pit No.3 is located to the west of Pit No.1. In a 凹shape, it is the smallest of all the pits, with only 68 warriors inside. A war chariot was placed at the front of the entrance. The formation resembles the headquarters of the left, central and right divisions of the entire army, but it was probably not completed. Pit No.4 was discovered much later, covering an area of about 5000 square meters. Located between Pits No.2 and 3, it appears to have been planned to house the central divisions, but was filled up without any warriors or horses.
