1.Which of the following is not part of the Book of Songs? ( )
A:Song
B:Shi
C:Ya
D:Feng
答案:AI参考:正确答案是A: Song。\n这是古代诗歌分类中的四部分之一，其中包括《诗》、《雅》、《颂》和《风》，因此B、C、D选项都是《诗经》的组成部分，而A选项是宋词的组成部分，所以选择A。'
2.Which is true of Zhang Ailing and Xiao Hong’s works? ( )
答案:AI参考:选项B：They are both humorous and interesting.\n\n张爱玲和萧红都是中国现代文学的杰出代表，他们的作品风格各异，但都具有幽默和有趣的特点。选项B准确地描述了他们的作品特点，因此是正确答案。'
3.What is the core of Humanism? ( )
A:Restoration of Greek and Roman culture.
B:Affirmation of human nature.
C:Emphasis on human imagination.
D:Revival of classical literature.
答案:AI参考:正确答案是B:Affirmation of human nature.\n\n人本主义的核心是肯定人的本质。选项A是复兴希腊罗马文化，选项C是强调人的想象力，选项D是复兴古典文学，这些都不是人本主义的核心。因此，正确答案是B。'
4.All of the following are true about Mao Dun’s Historical Writing, EXCEPT______. ( )
A:Mao Dun provided a bright and visual historical picture for the ideological historical concept, in line with the ideology of the proletariat.
B:He sang praises of the bourgois.
C:His epic works reflect the broader and more complex social features of a historical period.
D:He weaves his personal and perceptual historical experience in the shaping of specific characters.
答案:AI参考:正确答案是B:He sang praises of the bourgois.\n毛泽东在历史写作中为无产阶级意识形态的历史观念描绘了一幅光明而可视的历史画卷，他的史诗作品反映了历史时期更广泛、更复杂的社会特征，他在塑造具体人物时融入了他个人的历史感受和体验。除了对资产阶级的歌颂以外，以上选项都是正确的关于毛泽东历史写作的描述。'
5.Which poem by Bai Juyi tells the tragic love story of Emperor Minghuang of the Tang Dynasty and his Concubine Yang? ( )
A:“Song of the Lute.”
B:“An Old Man Selling Charcoal.”
C:“On the Ah Fang Palace.”
D:“The Eternal Regret.”
答案:AI参考:正确答案是D：“The Eternal Regret.”\n白居易的《长恨歌》讲述了唐明皇与杨贵妃的爱情悲剧故事，所以正确答案为D：“The Eternal Regret”。'
6.As a presider over the imperial examinations, Ouyang Xiu promoted a group of writers who wrote ______. ( )
A:parallel prose
B:ancient-style prose
C:lüshi poems
D:patriotic poems
答案:AI参考:正确答案是B:ancient-style prose。\n\n根据题干中的信息可知，作为科举考试的负责人，欧阳修推动了一群写古文风格的作家。因此，正确答案是B，即“古文”。其他选项的含义分别为：A平行散文指的是结构相似的文章，而古文是强调文言文的文体；C诗词中有很多抒发爱国情感的诗句；D爱国主义诗歌主要是抒发对祖国、人民、民族的热爱之情的诗歌。这些选项都与题干中的信息无关。'
7.Which is INCORRECT about the characters in The Romance of the Three Kingdoms? ( )
A:Sima Yi is more broad-minded than Zhou YU.
B:Zhou Yu is too narrow-minded.
C:Zhou Yu is superior to Zhuge Liang in terms of craft.
D:Sima Yi suspicious.
答案:AI参考:正确答案是B:周瑜太狭隘了。\n根据《三国演义》中的描述，周瑜心胸狭窄，目光短浅，所以选项B是错误的。选项A、C、D在《三国演义》中都有相应的描述，但是都不符合题目要求，因此也是错误的。因此，正确答案是B。'
8.In “Temple of the Premier of Shu,” Du Fu expresses his admiration and regret for ______. ( )
A:Liu Bei
B:Zhuge Liang
C:Zhou Yu
D:Sima Yi
答案:AI参考:正确答案是B:Zhuge Liang。\n《蜀相》是杜甫对诸葛亮（字孔明）的崇敬和惋惜之情。所以答案是B。'
9.What is the theme of“Song of the Lute”? ( )
A:His lament over his exil.
B:His pride in his achievements.
C:His pleasure at seeing the lute player.
D:His love of the lute music.
答案:AI参考:正确答案是D:His love of the lute music.。\n诗歌中提到的《古琴之歌》的主题是其对中国传统古琴音乐的热爱，这可以通过诗歌中的“他的演奏使我感动”这句话得出。因此，选项D“他对古琴音乐的热爱”是正确答案。选项A和B都是对主题的错误描述，选项C与诗歌的主题无关。'
10.Which of the following is NOT the right explanation? ( )
A:丝 pronounced “si” and meaning “many”；
B:莲 pronounced “lian” and meaning “lotus”；
C:怜 pronounced “lian” but meaning “pity”；
D:思 pronounced “si” but meaning “to miss”.
答案:AI参考:选项C:怜 pronounced “lian” but meaning “pity”\n\n因为选项C与题目中给出的丝（发音为si，意为“许多”）和思（发音为si，意为“想念”）的发音和意思不同，所以选项C不是正确的解释。其他选项的发音和意思都与题目中的描述相符。'
11.Which of the following is NOT true regarding the translation and spread of the Strange Tales: ( )
A:The Strange Tales of Liaozhai was released in 1766.
B:In the 19th century, The Strange Tales of Liaozhai were translated into forty languages.
C:In 1784, this block-printed edition was carried to Japan by ship.
D:By the end of the 20th century, there had been more than 20 translated versions.
A:Rich and colorful life B:Authorities life C:Sad and poor life D:Imaginary life 13.Which is NOT true? ( )
A:The Pilgrim’s Progress casts abstract traits as characters; B:The Pilgrim’s Progress conveys the ideas about faith and salvation in Jewish doctrines. C:Journey to the West casts gods and monsters D:Journey to the West epitomizes ideas in Confucianism, Buddhism and Taoism 14.Who is not a character in The Wronging of Dou E（ ）?
15.Which work marks the beginning of the literary criticism on poetry in China? ( )
A:Poetics. B:On the Ci Poetics. C:Liuyi Critical Notes on Poetry. D:Dragon-Carving and the Literary Mind. 16.In the area of Intercultural Communication, what is true about Lin Yutang? ( )
A:His works promote Chinese culture from the perspective of Chinese people, and the selected content is also the essence of Chinese culture. B:He was very bookish. C:He used a formal style. D:He was a serious person. 17.Huang Tingjian was the most famous student of Ouyang Xiu. ( )
A:对 B:错 18.Liu Zongyuan thougth that “vitality” was a Supreme Being rather than an objective existence of materials. ( )
A:对 B:错 19.Lu You’s love poems are bold and heroic. ( )
A:错 B:对 20.One of the features of Yuefu diverse themes and styles. ( )
A:对 B:错 21.In the 18th century, The Orphan of the Zhao Family was translated into French by a French missionary. （ ）
A:对 B:错 22.In 1943 Lin met the American writer Pearl Buck，at whose request he wrote a work to introduce Chinese people and literature to Westerners， and embarked on a new pursuit beyond talking about foreign cultures to the Chinese people， taking one step toward the realization of his dream of “spanning Eastern and Western cultures”. ( )
A:错 B:对 23.The key concept to Master Kong’s theoretical system is humanity, in Chinese is “ren”, that occurs 108 times in the Analects.( )
A:对 B:错 24.Bai Juyi preferred to use difficult language and he used a lot of literary allusions in his poetry. ( )
A:错 B:对 25.In the world’s poetry, Qu Yuan is in the position of Homer. ( )
A:错误 B:正确 26.A New Account of the Tales of the World is compiled and edited by Liu Yiqing and his disciples of the Southern Dynasties. ( )
A:对 B:错 27.Chinese classical dramas developed in the poor environment of scattered small peasant economy and semiliteracy, and were rooted in the grassroots. （ ）
A:对 B:错 28.The anthology Goddess rid itself of the old frameworks and became a new style representing freedom and new ideas. ( )
A:对 B:错 29.Bai Juyi believed in the educational function of poetry and thought poets should pay attention to social reality. ( )
A:对 B:错 30.Lu Xun’s comment on Zhuge Liang: “Zhuge is so wise that he is close to the Angel.” （ ）
A:对 B:错 31.Da Peng flying into the sky described in the first article of Zhuang Zi’s book Happy Excursion.( )
A:对 B:错 32.Master Kong has exerted inestimable influence on the mind and value of the Chinese people as a whole. ( )
A:错误 B:正确 33.Romance is any imaginary literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters. （ ）
A:对 B:错 34.Tea drinking and tea set collection reflect the social status of the Jia Family in A Dream of Red Mansions.（ ）
A:对 B:错 35.In The Romance of the Three Kingdoms, Luo Guanzhong combined historical facts, folk legends and unique artistic imagination into a perfect whole. （ ）
A:错 B:对 36.“To My Son” expresses Lu You’s concern with the unity of the conquered country. ( )
A:错 B:对 37.
The Pavilion of the Drunken Old Man
Ouyang Xiu
Chu Zhou is surrounded with mountains. The forests and valleys on the southwest ridge are especially beautiful. Lying in the distance, where the trees grow luxuriantly and gracefully, is the Langya Mountain. Six or seven li up the mountain path, a gurgling sound grows clearer and clearer. It is from a spring that falls between two mountains. The spring is called the Wine-Making Spring. The path turns and twists along the mountain ridge, and above the spring rests a pavilion perching aloft like a bird with wings outstretched. This is the Pavilion of the Drunken Old Man. Who built this pavilion? Monk Zhixian, who lived in the mountain. And who furnished it with that name? It was the prefect, who named it after his own alias. The prefect often comes here to drink wine with his friends and he easily gets tipsy after a few cups. Being oldest in age among his companions, he calls himself "the drunken old man". The drinker's heart is not in the cup, but in the mountains and waters. The joy he gets from them is treasured in the heart, and now and then he will express it through wine-drinking.
In the morning, the rising sun disperses the forest mists, and in the evening, the gathering clouds darken the caves and valleys. This shifting from light to darkness is morning and evening in the mountains. In spring, blooming flowers send forth a delicate fragrance; in summer, the flourishing trees afford deep shades; in autumn, the sky is high and crisp, and the frost, snowy white; in winter, the water of the creek recedes and the bare bedrock emerges. These are the mountain scenes in the four seasons. Going to the mountain in the morning and returning home in the evening and enjoying the beauties of the mountain in different seasons is a delight beyond description!
Carriers are singing all along the way, and pedestrians are taking rest beneath the trees. Some are shouting from the fore and are answered by others from behind. There are hunchbacked old folks, and children led by their elders. They are people from Chuzhou who have come here in an endless stream. Some are fishing by the creek where the water is deep and the fish are big. The water itself is faintly scented and the wine brewed from it is crystal clear. Upon the prefect's banquet table is a sundry layer of dishes, including the meat of wild beasts and the flavorings of edible mountain herbs. The joy of the feast lies not in the musical accompaniment of strings or flutes, but in winning the games, such as throwing arrows into the vessel, or chess playing. Wine cups and gambling chips lay scattered in blithe disarray. The revelers, now sitting, now standing, cavort madly among themselves. These are the prefect's guests, and the old man with wizened face and white hair among them, who is half drunk, is none other than the prefect himself.
As dusk falls, one sees shifting shadows scattering in all directions. The prefect is leaving for home, and his guests are following him. The shadows of the trees are deepening, and birds are chirping high and low. The people are going home, leaving the birds free to enjoy themselves. The birds only know their joy in the wooded mountains, but are unaware of what makes the people joyful. The people only know that they are joyful on their excursion with the prefect, but are unaware that the prefect finds his joy in seeing them joyful. He, who enjoys himself with the people when drunk, and records this excursion in writing when sober, is the prefect himself. And who is the prefect? He is Ouyang Xiu of Luling.
38.
Shi Jing
Shi Jing is composed of Liu Yi (六艺six kinds) referred to as Feng (风), Ya(雅), Song(颂), Fu(赋)， Bi(比) and Xing(兴). The first three categories signify the contents of the poems. So, Feng, Ya, and Song are categories of the various musical hymns and tunes that were developed in different areas. Fu, Bi and Xing on the other hand, indicate the literary styles employed.
“Feng”, also called “Guo Feng(国风)”, are folk songs or ballads from different areas, with romantic love and prominent themes. The ballads came from 15 areas and total 160 poems, accounting for a major portion of Shi Jing.
“Ya” songs are imperial court music and are typically divided into the 31 titles of Da Ya (大雅major festal odes-for more solemn ceremonies) and the 74 titles of Xiao Ya (小雅 minor festal odes-for court festivities). Most of these works were created by the aristocracy.
“Song” pieces are religious hymns and eulogies. There are 40 titles of Zhou Song (周颂), Lu Song (鲁颂) and Shang Song (商颂). Ya and Song are special works written for the court or for temple sacrificial feasts.
Fu, Bi and Xing refer to the methods of depiction, approach, or style. “Fu” means description and with it the poets directly express emotional thoughts and feelings in a straightforward narrative. “Bi” means explicit comparison and uses obvious daily expressions to convey nonfigurative phrases and make them clearly understandable. “Xing” is implied comparison and is commonly used at the beginning of a poem to trigger what follows. These three major styles are often interactively employed and applied to create the artistic images in poetry.
39.<p><br/></p><p style="text-indent: 0;line-height: 150%"><span style="font-family: 'Times New Roman';font-size: 16px"><span style="font-family:宋体">在高效液相色谱中,色谱柱的长度一般在(</span> </span><span style="font-family: 宋体;font-size: 16px"> </span><span style="font-family: 'Times New Roman';font-size: 16px"><span style="font-family:宋体">)范围内.</span></span></p><p style="text-indent: 0;line-height: 150%"><span style="font-family: 'Times New Roman';font-size: 16px"><span style="font-family:Times New Roman"> </span><span style="font-family:Times New Roman"> </span></span></p><p style="text-indent: 0;line-height: 150%"><span style="font-family: 'Times New Roman';font-size: 16px"><span style="font-family:Times New Roman"> </span></span></p><p><br/></p>
40.<p>给出下面代码:</p><p><span style="font-size: 16px;"><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-family: "Times New Roman";">s</span></strong><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248);">=input("").split(",")</span></strong></span></p><p><span style="font-size: 16px;"><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">x=0</span></strong></span></p><p><span style="font-size: 16px;"><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">while x<len(</span></strong><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-size: 16px; font-family: "Times New Roman";">s</span></strong><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">):</span></strong></span></p><p style="text-indent:42px;text-autospace:ideograph-numeric"><span style="font-size: 16px;"><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">print(</span></strong><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-size: 16px; font-family: "Times New Roman";">s</span></strong><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">[x],end="")</span></strong></span></p><p style="text-indent:42px;text-autospace:ideograph-numeric"><span style="font-size: 16px;"><strong><span style="font-family: "Times New Roman"; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);">x+=1</span></strong></span></p><p><span style="font-size: 16px;"><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-size: 16px; font-family: 宋体;">执行代码时,从键盘获得</span></strong><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-size: 16px; font-family: "Times New Roman";">c,d,e,f</span></strong><strong><span style="color: rgb(89, 97, 114); letter-spacing: 0px; background: rgb(248, 248, 248); font-size: 16px; font-family: 宋体;">,则代码的输出结果是</span></strong><strong><span style="font-family: 宋体; color: rgb(89, 97, 114); letter-spacing: 0px; font-size: 14px; background: rgb(248, 248, 248);"><span style="font-size: 16px; font-family: "Times New Roman";">( )</span><span style="font-size: 16px; font-family: 宋体;">.</span></span></strong></span></p>
41.<span style=';font-family:宋体'>在</span>PH=1<span style=';font-family:宋体'>含</span>Ba<sup>2+</sup><span style=';font-family:宋体'>的溶液中，还能大量存在的是</span>( )<p style=';'><span style='font-size:14px;font-family:'Times New Roman''> A</span><span style='font-size:14px;font-family:宋体'>．</span><span style='font-size:14px;font-family:'Times New Roman''>AlO<sub>2</sub></span><sup><span style='font-size:14px;font-family:Symbol'>-</span></sup><span style='font-size:14px;font-family:'Times New Roman''> B</span><span style='font-size:14px;font-family:宋体'>．</span><span style='font-size:14px;font-family:'Times New Roman''>ClO</span><sup><span style='font-size:14px;font-family:Symbol'>-</span></sup><span style='font-size:14px;font-family:'Times New Roman''> C</span><span style='font-size:14px;font-family:宋体'>．</span><span style='font-size:14px;font-family:'Times New Roman''>Cl</span><sup><span style='font-size:14px;font-family:Symbol'>-</span></sup><span style='font-size:14px;font-family:'Times New Roman''> D</span><span style='font-size:14px;font-family:宋体'>．</span><span style='font-size:14px;font-family:'Times New Roman''>SO<sub>4</sub><sup>2-</sup></span><br/><br/>A.</span><span<br/>B.</span><span<br/>C.</span><span<br/>D.</span><span
42.按住( )的同时, 移动鼠标可以快速平移模型视图
43.The Death of Song Jiang: ( )
44.Which of the following is true of Liang Qichao’s “Revolution in the field of essay”？ （ ）
A:Flexible syntax; B:His new-style prose has the characteristics of parallel prose; C:Easy-to-understand language; D:He combines foreign grammars and Chinese slang and poetic crambo. 45.What are the poetic ideas of Han Yu? ( )
A:He preferred to create astonishing and strange artistic images. B:It was imperative to eliminate dull and boring expressions in poetic creation. C:He likes to use difficult rhyme schemes. D:He liked to use uncommon words. 46.Which of the following is true of theoretical concepts of Classical Chinese poetry? （ ）
A:Classical Chinese poetry often emphasizes the fusion of scenes and emotions and the projection of emotions into scenes. B:Discourse in Classical Chinese poetry: “discourse of scenes” and “discourse of emotions”. C:If the “discourse of scenes” is not enough to evoke emotional response, a poet needs to directly use the “discourse of emotions” to highlight the theme. D:The “discourse of scenes” are actually set for the “discourse of emotions”. 47.Which is true about the May Fourth Movement? ( )
A:Chinese literati were writing in classical Chinese during the millenia of feudal society in China; B:classical Chinese was the language of the “masters”; C:Classical Chinese continue to be popular after the May Fourth Movement. D:Vernacular language was regarded as for the “servants”; 48.What are the features of Li Shangyin’s “Untitled Poems”? ( )
A:They are rich in the use of allusions and symbols. B:They show the tragic life of the poet. C:They convey profound in meanings. D:They highly prasie love. 49.Deeds of the Monkey King: ( )
A:He gives a headache to the rulers of the sea. B:He attacks the nether world and crosses out all the names of the monkey family members in the life-and-death book; C:He raises a havoc in the Heavenly Palace; D:He desires Miss Gao. 50.The Thought Provoking Ah Q: ( )
A:By the end, readers won’t be laughing but will fall into melancholy and sadness. B:Ah Q symbolizes the silent national soul. C:Behind this silence lay the unspeakable uneasiness and sorrow. D:Funny appearance in the beginning. 51.What are the two types of poems that Lu You are most noted for? ( )
A:Nature poems. B:Patriotic poems. C:Love poems. D:War poems. 52.Su Shi’s ci poems cover a wide range of subject matter. They are ______. ( )
A:mourning and argument B:parting C:odes to things D:thoughts on the past
