第六章测试1.
It is widely acknowledged that the end of the 19th century was the most flourishing period in the development of Beijing Opera.
A:错 B:对
答案:A
2.
The Four Famous Players of Peking Opera were: "Mei" (Mei Lanfang), "Shang" (Shang Xiaoyun), "Cheng" (Cheng Yanqiu), and "Xun" (Xun Huisheng).
A:对 B:错 3.
Over the past hundreds of years, the roles of Peking opera have been simplified to today’s Sheng, Dan, Jing and Chou, known as the four major roles in Peking opera.
A:对 B:错 4.
The sheng is the female role in Peking opera.
A:对 B:错 5.
The performance of a Peking Opera actor can be summarized into four basic aspects: singing, speaking, acting, and fighting.
A:错 B:对 6.
Speaking refers to character dialogs, which serve to propel the development of the story.
A:错 B:对 7.
The virtuality of Peking Opera consists of two aspects: one is virtual movements, and the other virtual settings.
A:错 B:对 8.
Virtual movement refers to imitating actions onstage. For instance, rowing a boat.
A:错 B:对 9.
One purpose of mask is to indicate the identity and character of the role. For example, a “red face” means the person is loyal and brave; a “ ” signifies the person is straightforward; and a “white face” identifies the person as crafty and evil.
A:yellow face B:green face C:black face D:blue face 10.
Which play is not the representative play of Mei Lan Fang in Peking Opera?
A:The Lance of the Universe(宇宙锋) B:At Crossroad (三岔口) C:The Drunken Concubine(贵妃醉酒) D:Women General Mu Guiying(穆桂英挂帅) 11.
The dan（旦）refers to any female role in Peking opera. Dan roles were originally divided into subtypes.
A:4 B:3 C:2 D:5 12.
Chou roles can be divided into , civilian roles such as merchants and jailers, and wuchou, minor military roles.
A:wu chou B:xiao chou C:chou D:Wen chou
